Message From The Chair

The Arts and Letters Awards is a celebration of the artistic talent of this  province. And what talent we have! If we take a moment to compare the output of our mere 500,000 souls to the rest of the country, I think we can only conclude that there is something wonderful at work in this province,
something driving us to create visually, to put words on paper, to compose music with a thirst that has few parallels anywhere in this land, from our part of the Atlantic shores to the Pacific. Our province has less population than the city of Hamilton, and yet has produced the cluster of talent that includes Bernice Morgan, Michael Winter, Cassie Brown, Christopher Pratt...and dozens more, all of whom, I hasten to point out, have been entrants over the years to the Arts and Letters Awards.
 
This program is special, and I believe, unique to this country. Its roots go back to the pre-confederation era and the O'Leary Awards for Poetry and Essays. In 1952 the Arts and Letters Competition came into being, and over the years has evolved into the event we applaud today, one that encompasses artistic endeavor from a 12-year old sculptor to that of a mature writer ready to tackle the novel form. Along the way the program has had its detractors, those who felt it had outlived its usefulness, but
I couldn't have disagreed more. And neither did a multitude of people across the province, and to its credit, the Government of Newfoundland and Labrador.
 
2002 marked a half century since the inception of the awards. It was  celebrated in style. But it was made a lasting celebration as well, in that we added some new categories, revamped others, and increased the prize money. This committee is committed to an Arts and Letters that is a true
reflection of the artistic activity in the province and a reflection of the ever-evolving face of artistic activity generally.
 
I think we need to applaud what the Arts and Letters Awards has achieved. More than anything it has instilled a confidence in our creators by demonstrating that what they do and what they have dreams of doing is valid and deserving of recognition. I have always been especially delighted to see among the winners names I don't recognize, people sometimes from smaller communities who I'm sure have to stand apart to declare their aspirations as artists.
 
They drummed up the courage to enter, knowing that they are pitting themselves against more established creators (for the competition doesn't differentiate between amateurs and professionals, but acknowledges excellence wherever it is found). These people, maybe just content knowing that they ill get a professional written adjudication (which, by the way, goes out to all entrants who request it), package up or hand-deliver their entries. Then suddenly they get calls from our coordinator telling them
they are winners.
 
Each year we celebrate the winners from an average of a thousand entries. But at the same time we celebrate all people who have taken time to put forward their best efforts and have found fulfillment in doing so. Choosing the best is a subjective undertaking, and numerous are the requests from
adjudicators to extend the list of prizes. Narrowing down the entries to a slate of winners is a tough assignment. I say this by way of encouragement to everyone to keep the entries coming. Let's make each year a record year. The joy is not necessarily in the money (although I know that helps). It's
in the creation. For the creation is all yours. It is who you are and, by letting us share in that, we are all - every one of us - the richer.

Kevin Major, Chair
 

 

 

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